Well, I for one look forward to the application of this general principle in the next “boomers complain about new young ‘pre-Vatican II’ parish priest” NCR article. https://t.co/ZNpewUIQtH pic.twitter.com/Fw4Di0ajo2
— Matthew Hazell (@M_P_Hazell) August 11, 2024
Matthew references the piece at the Fishwrap. It is deeply crass. Here’s a quote:
Da Vinci’s painting is not a religious object anyway, and is part of the cultural public domain.
The dopey writer cites other examples of appropriated of Christian symbols, some disgusting. I, also, thought of moments in TV or movies when there was a clear visual reference to da Vinci’s Last Supper, such as a scene near the end of the movie Larry Crowne. However, they were sugar and spice compared the dreck and bile of the Olympics.
BTW… “da Vinci” isn’t Renaissance Banksy. He painted his Last Supper in the refectory in a religious convent (for readers of the Fishwrap, that’s a place where people like nuns and friars live… remember them? You might have heard of Friar Tuck, right? And Tuck is not short for Tucker, which in Australia can mean “food”. Your version might be older women with short hair who belong to the LCWR). Moreover, it was painted in the convent’s refectory, where the professed religious took their meals, one of the vital areas of the convent, where it was important… now pay attention, Fishwrappers… important to relate even the taking of food to the salvific work of Christ and not focus on mere bodily satisfaction. Foreign notions, I know, but bear with me a moment. The Last Supper is not merely “part of the cultural domain”. It is also a profoundly religious object, both by intention and by historical-cultural significance.











Perseid meteors started in mid-July but they will peak on the mornings of August 11, 12 and 13.





















